![]() ![]() Extensive textual essays, biographical notes, and large-scale reproductions complement a detailed catalog of works including all paintings, drawings, gouaches, and prints. The catalog is an attempt to revive the forgotten work of Ende, who received international acclaim during his lifetime and was invited to the Venice Biennale twice. In the socially and politically turbulent decades of Europe from 1920 to 1965, Ende developed symbols of displacement and flight, of exposure and abandonment. Deutschland, Frankreich und das Ende der Locarnora, 19281931: Studien zur internationalen Politik. Michael Endes Mrchen-Roman voller Poesie und Herzenswrme ber den Zauber der Zeit Weltweiter Bestseller - bersetzt in 46 Sprachen, ber 10 Millionen. ![]() The works he created in this way unfold an enigmatic, apocalyptic visual language in which space and time have lost their meaning. The father of the writer Michael Ende, who crafted a literary tribute to him in his 1983 novel Der Spiegel im Spiegel (Mirror in the Mirror), created his works in an almost somnambulistic manner, just as the Surrealists around André Breton had demanded at the beginning of the 1920s: For his work, he retreated into a dark chamber, where he recorded his ideas on small sketch pads with the help of a flashlight attached to a pencil, in order to later realize them as visually powerful paintings. ![]() ![]() Edgar Ende (1901–1965) is considered one of the most important German representatives of surrealism in the first half of the 20th century. ![]()
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